Rhonda Schaller New Works - Barbara Valenta

In her new suite of large-scale works, Rhonda Schaller's simple, luminous shapes are suspended within rectangles that define their position in space. Created using thickly layered, lustrous oil pastels on a matrix of rectangular surfaces that have been pieced together, they exude a luminous warmth. The geometry of the matrix as well as that of the enclosing rectangles, the ovals within, implies a connection with that which is stable and universal. But Schaller is not content to give us mechanical shapes. She individualizes these shapes and gives them a sort of mythic, iconic history by her individual use of line, a line that very much refers to the artists hand and mark, thus an irregular oval shape might remind one of a weathered river stone worn smooth over time that one loves to hold in ones hand. These are not cool abstractions, but specific unique objects that through their irregular but recognizable forms connect one in a very personal way with that which is universal.

While Schaller is working, she often reflects upon the emotive content of the work to make sure that it corresponds as closely as possible to the specific inner state of consciousness she hopes to express. How does Schaller achieve her ends? I think that the answer lies both in her intent and in her use of materials. Although limiting her palette primarily to black and white, the oil pastels are built up in thick layers covering reds, yellows and blues that shine through, creating a sense of inner power and process contained beneath a more quiet surface. This promotes a sense of activity and calm, action and rest, a sense of potential power lying beneath the surface. Like the geometry we see in Native American and African works, these geometries have a sense of individuality, power, history and purpose. With these new pieces, Schaller has created a compelling and satisfying body of work.

Barbara Valenta
Independent Curator
New York City 2002